At present, the industry's collection of gloomy wood is divided into two genres. One group prefers to craft the gloomy wood by hand of skilled craftsmen to create beautiful art crafts for people to enjoy ; the other is to appreciate the passing of time to give gloomy The simplicity and quietness of the wood is eager to retain its most primitive and rude beauty. Zhang Rui is the latter. In his blueprint, the “Oriental Shenmu Museum†should be in the treasure museum of Hainan Province. The gloomy woods that are set there are still sensible "language" because they have not been carved, and can "talk" to people. Everyone who approaches it can "interpret the password on the gloomy wood" in his own way. Gradually, people believe that in such repeated, layer-by-layer decoding, those mysterious gloomy woods will "open their mouths" and convey the elegance and vitality from ancient Hainan.
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