In the ever-changing nature, there is a real color world. People grow in this color world and experience the symbolism of color by visually perceiving this colorful world. At the same time, people use unique high-level thinking to reproduce the colors of life and create works of art that reflect their ideological connotations and rich emotions.
A color and emotional connection
Objectively speaking, color itself has no emotions. Hue, color, and hue are all natural phenomena. It is not a matter of feeling. However, people can feel the emotion of color because people have accumulated a lot of visual experience in long-term life. Once the perceptual experience and the external color stimulus have a certain echo, it will lead people to some kind of emotion. If grass green matches with yellow or pink, it will unknowingly echo some of our childhood experience; when we lie on a green lawn and see yellow and pink wildflowers in bloom, it will A happy, lively mood; like the eastern sunrise, people have a joyful feeling about the golden and red and golden colors of sunrise. When people see red and yellow, they think of the light and heat of the sun. Naturally, the golden red and golden shades are linked with hope and vibrant emotions; likewise, the cold shades of the stormy nights are associated with disaster and terror.
From this we can see that color and life, color and human visual perception, color and people's thoughts are closely linked, and as time passes, the symbolic willingness to associate with color permeates all aspects of human life.
Second Ceramic Color Configuration and Emotional Reflection
Art comes from life. People's artistic design and creation are reflections of life. The configuration and use of color is an indispensable factor in the work of art. At the same time, the color reflects the inner feelings of the work.
Ceramic art creation includes image modeling, formal rules, color configuration and layout, and performance techniques. In many factors, the momentum of the work and the vitality of the work are reflected. In the past, it was said that when creating a ceramic work, the color of the work was not well-controlled because of its color configuration or color tone. As a result, if the color configuration was harmonized with the content and design thinking, then the work would be worth a hundredfold. In addition, people will also find that in the design of color matching, the same content (such as the shape, form, technique) due to different colors, different colors, the work of the show is also different in the taste. Therefore, a variety of moods can meet people's aesthetic needs in many ways.
The color arrangement and tonal treatment in ceramic art works are of vital importance. The traditional art ceramics such as red, green, colorful, pastel, blue and white are different in style and full of interest. Color gives people emotional symbolic meaning, so as to arouse people's sense of beauty, and adds to the work's infinite connotation and artistic conception.
People often have a soft spot for several typical colors. Ceramic art works pay special attention to the matching of several major colors. Such as red and green, it is composed of red, green, yellow, blue, but in many colors the main tone is red, followed by green, with yellow, blue, bright colors, contrast, making people feel warm in the spirit , rich, festive, and has strong oriental ethnic characteristics, very personal. Especially the red color in it, if only green, yellow and blue are removed, then the warm feelings are far away.
Coincidentally, ceramic colorful (Chu Cai) decorative style is very similar to China's Yangliu Youth Paintings, pay attention to rhythm, strokes, strong contrast in the configuration of the color, the color from the red and green, bitter green, ancient purple, thin yellow composition, so as to strengthen The contrast of the decorative picture makes the color in the work powerful and powerful, and it can give people a clear and elegant, magnificent, simple and elegant and vivid taste, giving people a relaxed and happy sense.
The mood of pastels can be described as slightly different. Its artistic language is unique compared with other traditional decorations. The characteristics of its personality are mainly materials, performance techniques, and coloring methods. Most of the pigments used in pastels are silty, and their color purity is of medium purity. For this reason, pastel color contrast is not strong and natural, so the work reflects a light and beautiful, leaving a delicate, delicate , concise, and amiable beauty.
Jingdezhen's traditional porcelain, blue and white, translated by foreigners into “blue sky and white clouds†is unique in its use of color. Its color is simple, the color is clear, and more importantly, the blue and white decoration is particularly exquisite and beautiful, and the form of expression is rich, giving people a concise, simple, intriguing feeling. The national characteristics of its rich and popular rewards fully embody an oriental charm, making Japanese people also favor Chinese blue and white flowers.
It is not difficult to see from the arrangement of the color of the ceramic art works that whether it is indispensable for color reproduction or understatement, they all have the same effect, and the different decorative materials and different colors make the ceramic art pieces form their own unique style and fully penetrate people. The emotional factors are precisely because these works are full of people's thoughts and feelings, they can be circulated for the best and lasting.
The Color, Environment and Emotion in Ceramic Art Creation
The expression of color emotions in works of art is closely related to the environment in which it is located. This environment is divided into macro factors and micro factors. The macro factors include the history of the times, geographical environment, cultural landscape, folk customs, cultural attitudes, etc.; microscopic factors include the surrounding environment, architectural style, interior layout, spatial scale, lighting effects, furniture and indoor tone configurations. In these factors, the generation of emotions is inseparable from the color design of the works, and the colors are mutually dependent on many factors.
First of all, the expression of artistic ceramic coloring emotions should consider the historical and cultural background. Different historical periods have different requirements for color, and different colors mark their characteristics. For example, in the Tang and Song Dynasties, advocating blue color, Yue Kiln's “like jade ice†and “Qianfeng Cuise†are all praises for blue; in the Yuan Dynasty, due to the habits of the Mongolian people, they loved white; while in the Ming Dynasty, the Chinese system was restored, and the traditional yellow colored. Become its distinguished color status and become the emperor's special color.
Second, the colors used in ceramic works are inseparable from their own national customs. If red is used in China as a symbol of auspiciousness and festive colors, the red couplet is affixed to the door during the festival, and the wedding is tied with a red-headed rope. This means auspicious and festive. Different regions and different countries have their own symbolic meanings for color. For example, white in China is a symbol of mourning and the Western customary symbolism is different. In the West, white symbolizes purity and supremacy, and weddings taking white are considered most suitable.
The use of color in ceramic art works not only needs to understand the scientific nature of color, but also pays attention to the social nature of color, that is, certain psychological factors and people's cultural mentality.
People's cultural mentality is determined by their life experiences and cultural qualities. Different job natures and different cultural qualities will produce different color pursuits. Their understanding of colors is also different. As a public official, he is always busy with public entertainment all day long. He always hopes to have a quieter rest environment after work. At this time, an elegant ceramic work will make people forget the worries of the day. People engaged in medical work all day with the patient. Dealing with emotions is low and serious. After returning from work to a warm and energetic family, the mood will be calm and stable. Therefore, lively and bright ceramic works will add vitality to this type of family and can mobilize people’s inner feelings. More love life.
In addition, people of different ages and culture levels have different preferences for color. Young people love bright colors because it represents warmth and youthfulness; older people love elegant light colors because it symbolizes peace and simplicity. The colors used in public places must cater to the appreciation habits of most people, while the colors of the rooms pursue the expression of individuality. These are all factors that cannot be ignored in artistic creation, and are also a symbolic expression of human emotion.
The relationship between the color and space of ceramic works of art is also crucial, which is a key factor in mobilizing people's emotions. There is often a situation where a piece of art works in its artistic environment space will produce its artistic appreciation value, while in another environmental space, because it is not suitable for it, its artistic charm is buried and people ignore it. . In other words, the atmosphere of the ceramic art works is critical, and the size of the environmental space needs special attention. If a large space requires the scale of its works, the reason is that large spaces are far away from people's visually distant places. Corresponding decoration and color arrangement are required to be simple and clear, and the purity of colors is correspondingly higher. For example, in a large foreign guest reception room, the entire environment is magnificent and full of enthusiasm. Among them, the decoration of 10,000 pieces of blue-and-white decorative bottles will add a beautiful beauty to the atmosphere of the room, not only adding to the original artistic environment, but also reducing people’s visual and psychological stimuli. Increased stability.
Conversely, this is not the case in a small-scale art environment. Because the space is small, the distance between people and objects is relatively close, and the object has a high degree of clarity. When the visual appreciation is made, it is easy to get obvious visual effects. In this way, works of art must consider the size and scale. Too large works do not seem to fit in a small space, and the decorative colors should not be too red, too bright and too bright, while small decorative vases in the small space are softly colored. Fresh and subtle, it will give people a warm and warm feeling of happiness.
IV The Eternal Topic of Color and Emotional Art Creation
The space we live in can be said to be a color space. The requirements of our lives for color are subconscious. The colors formed around people's visual effects on human emotions and emotions cannot be underestimated. From this perspective, the design of color is gradually being explored and used by people. Color, the basic element that produces beauty and artistic charm, has gradually become an important means used by designers to explain things, express images, and have fun.
As human society enters the era of high-tech information, the improvement of human material life and the advancement and development of high-tech have brought about changes in the mode of production and the way of life of human beings. However, as human qualities have improved, consumer demand has shifted from the material to the spirit. . This requires art design to develop in a personalized and humane way.
Modern ceramic art design and creation must conform to the requirements of the times, reflect the spirit of modernization, and suit modern people's needs. Therefore, while focusing on factors such as modeling and materials, it is necessary to further refine the arrangement of colors so that artistic works not only inherit traditional features, but also have a distinct flavor of the times, and are more accurate in the grasp of color and visual effects. Strengthen the appeal of artistic works.
Beautiful colors can make people have spiritual resonance and happiness, and they can reflect the richness of life and the beauty of the atmosphere. Therefore, the integration of color and emotion can make the works of art reach the perfect realm. It is an eternal topic of artistic creation. The modern ceramic art design should unite these two together and create artistic works with rich aesthetic taste and infinite charm.
Author: Ping Meiting
A color and emotional connection
Objectively speaking, color itself has no emotions. Hue, color, and hue are all natural phenomena. It is not a matter of feeling. However, people can feel the emotion of color because people have accumulated a lot of visual experience in long-term life. Once the perceptual experience and the external color stimulus have a certain echo, it will lead people to some kind of emotion. If grass green matches with yellow or pink, it will unknowingly echo some of our childhood experience; when we lie on a green lawn and see yellow and pink wildflowers in bloom, it will A happy, lively mood; like the eastern sunrise, people have a joyful feeling about the golden and red and golden colors of sunrise. When people see red and yellow, they think of the light and heat of the sun. Naturally, the golden red and golden shades are linked with hope and vibrant emotions; likewise, the cold shades of the stormy nights are associated with disaster and terror.
From this we can see that color and life, color and human visual perception, color and people's thoughts are closely linked, and as time passes, the symbolic willingness to associate with color permeates all aspects of human life.
Second Ceramic Color Configuration and Emotional Reflection
Art comes from life. People's artistic design and creation are reflections of life. The configuration and use of color is an indispensable factor in the work of art. At the same time, the color reflects the inner feelings of the work.
Ceramic art creation includes image modeling, formal rules, color configuration and layout, and performance techniques. In many factors, the momentum of the work and the vitality of the work are reflected. In the past, it was said that when creating a ceramic work, the color of the work was not well-controlled because of its color configuration or color tone. As a result, if the color configuration was harmonized with the content and design thinking, then the work would be worth a hundredfold. In addition, people will also find that in the design of color matching, the same content (such as the shape, form, technique) due to different colors, different colors, the work of the show is also different in the taste. Therefore, a variety of moods can meet people's aesthetic needs in many ways.
The color arrangement and tonal treatment in ceramic art works are of vital importance. The traditional art ceramics such as red, green, colorful, pastel, blue and white are different in style and full of interest. Color gives people emotional symbolic meaning, so as to arouse people's sense of beauty, and adds to the work's infinite connotation and artistic conception.
People often have a soft spot for several typical colors. Ceramic art works pay special attention to the matching of several major colors. Such as red and green, it is composed of red, green, yellow, blue, but in many colors the main tone is red, followed by green, with yellow, blue, bright colors, contrast, making people feel warm in the spirit , rich, festive, and has strong oriental ethnic characteristics, very personal. Especially the red color in it, if only green, yellow and blue are removed, then the warm feelings are far away.
Coincidentally, ceramic colorful (Chu Cai) decorative style is very similar to China's Yangliu Youth Paintings, pay attention to rhythm, strokes, strong contrast in the configuration of the color, the color from the red and green, bitter green, ancient purple, thin yellow composition, so as to strengthen The contrast of the decorative picture makes the color in the work powerful and powerful, and it can give people a clear and elegant, magnificent, simple and elegant and vivid taste, giving people a relaxed and happy sense.
The mood of pastels can be described as slightly different. Its artistic language is unique compared with other traditional decorations. The characteristics of its personality are mainly materials, performance techniques, and coloring methods. Most of the pigments used in pastels are silty, and their color purity is of medium purity. For this reason, pastel color contrast is not strong and natural, so the work reflects a light and beautiful, leaving a delicate, delicate , concise, and amiable beauty.
Jingdezhen's traditional porcelain, blue and white, translated by foreigners into “blue sky and white clouds†is unique in its use of color. Its color is simple, the color is clear, and more importantly, the blue and white decoration is particularly exquisite and beautiful, and the form of expression is rich, giving people a concise, simple, intriguing feeling. The national characteristics of its rich and popular rewards fully embody an oriental charm, making Japanese people also favor Chinese blue and white flowers.
It is not difficult to see from the arrangement of the color of the ceramic art works that whether it is indispensable for color reproduction or understatement, they all have the same effect, and the different decorative materials and different colors make the ceramic art pieces form their own unique style and fully penetrate people. The emotional factors are precisely because these works are full of people's thoughts and feelings, they can be circulated for the best and lasting.
The Color, Environment and Emotion in Ceramic Art Creation
The expression of color emotions in works of art is closely related to the environment in which it is located. This environment is divided into macro factors and micro factors. The macro factors include the history of the times, geographical environment, cultural landscape, folk customs, cultural attitudes, etc.; microscopic factors include the surrounding environment, architectural style, interior layout, spatial scale, lighting effects, furniture and indoor tone configurations. In these factors, the generation of emotions is inseparable from the color design of the works, and the colors are mutually dependent on many factors.
First of all, the expression of artistic ceramic coloring emotions should consider the historical and cultural background. Different historical periods have different requirements for color, and different colors mark their characteristics. For example, in the Tang and Song Dynasties, advocating blue color, Yue Kiln's “like jade ice†and “Qianfeng Cuise†are all praises for blue; in the Yuan Dynasty, due to the habits of the Mongolian people, they loved white; while in the Ming Dynasty, the Chinese system was restored, and the traditional yellow colored. Become its distinguished color status and become the emperor's special color.
Second, the colors used in ceramic works are inseparable from their own national customs. If red is used in China as a symbol of auspiciousness and festive colors, the red couplet is affixed to the door during the festival, and the wedding is tied with a red-headed rope. This means auspicious and festive. Different regions and different countries have their own symbolic meanings for color. For example, white in China is a symbol of mourning and the Western customary symbolism is different. In the West, white symbolizes purity and supremacy, and weddings taking white are considered most suitable.
The use of color in ceramic art works not only needs to understand the scientific nature of color, but also pays attention to the social nature of color, that is, certain psychological factors and people's cultural mentality.
People's cultural mentality is determined by their life experiences and cultural qualities. Different job natures and different cultural qualities will produce different color pursuits. Their understanding of colors is also different. As a public official, he is always busy with public entertainment all day long. He always hopes to have a quieter rest environment after work. At this time, an elegant ceramic work will make people forget the worries of the day. People engaged in medical work all day with the patient. Dealing with emotions is low and serious. After returning from work to a warm and energetic family, the mood will be calm and stable. Therefore, lively and bright ceramic works will add vitality to this type of family and can mobilize people’s inner feelings. More love life.
In addition, people of different ages and culture levels have different preferences for color. Young people love bright colors because it represents warmth and youthfulness; older people love elegant light colors because it symbolizes peace and simplicity. The colors used in public places must cater to the appreciation habits of most people, while the colors of the rooms pursue the expression of individuality. These are all factors that cannot be ignored in artistic creation, and are also a symbolic expression of human emotion.
The relationship between the color and space of ceramic works of art is also crucial, which is a key factor in mobilizing people's emotions. There is often a situation where a piece of art works in its artistic environment space will produce its artistic appreciation value, while in another environmental space, because it is not suitable for it, its artistic charm is buried and people ignore it. . In other words, the atmosphere of the ceramic art works is critical, and the size of the environmental space needs special attention. If a large space requires the scale of its works, the reason is that large spaces are far away from people's visually distant places. Corresponding decoration and color arrangement are required to be simple and clear, and the purity of colors is correspondingly higher. For example, in a large foreign guest reception room, the entire environment is magnificent and full of enthusiasm. Among them, the decoration of 10,000 pieces of blue-and-white decorative bottles will add a beautiful beauty to the atmosphere of the room, not only adding to the original artistic environment, but also reducing people’s visual and psychological stimuli. Increased stability.
Conversely, this is not the case in a small-scale art environment. Because the space is small, the distance between people and objects is relatively close, and the object has a high degree of clarity. When the visual appreciation is made, it is easy to get obvious visual effects. In this way, works of art must consider the size and scale. Too large works do not seem to fit in a small space, and the decorative colors should not be too red, too bright and too bright, while small decorative vases in the small space are softly colored. Fresh and subtle, it will give people a warm and warm feeling of happiness.
IV The Eternal Topic of Color and Emotional Art Creation
The space we live in can be said to be a color space. The requirements of our lives for color are subconscious. The colors formed around people's visual effects on human emotions and emotions cannot be underestimated. From this perspective, the design of color is gradually being explored and used by people. Color, the basic element that produces beauty and artistic charm, has gradually become an important means used by designers to explain things, express images, and have fun.
As human society enters the era of high-tech information, the improvement of human material life and the advancement and development of high-tech have brought about changes in the mode of production and the way of life of human beings. However, as human qualities have improved, consumer demand has shifted from the material to the spirit. . This requires art design to develop in a personalized and humane way.
Modern ceramic art design and creation must conform to the requirements of the times, reflect the spirit of modernization, and suit modern people's needs. Therefore, while focusing on factors such as modeling and materials, it is necessary to further refine the arrangement of colors so that artistic works not only inherit traditional features, but also have a distinct flavor of the times, and are more accurate in the grasp of color and visual effects. Strengthen the appeal of artistic works.
Beautiful colors can make people have spiritual resonance and happiness, and they can reflect the richness of life and the beauty of the atmosphere. Therefore, the integration of color and emotion can make the works of art reach the perfect realm. It is an eternal topic of artistic creation. The modern ceramic art design should unite these two together and create artistic works with rich aesthetic taste and infinite charm.
Author: Ping Meiting
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